7
Pastels,

Pastels – Feline Friend

STEP ONE
To do the initial sketch, I create a scaled drawing of the subject on paper (working from photographs). I concentrate on key lines around the eyes, nose and ears. Getting these details correct now is essential to creating a real likeness to the subject. Often I will use a few grid lines to help scale up a subject.

7
Pencils,

Graphite – The Wagonette

STEP ONE
I faintly drew the major parts of the carriage onto the paper with a 2H lead, paying particular attention to the wheels. These were the most difficult part of the drawing and many changes were made before I was satisfied. I used my adjustable callipers to locate the first wheel on the paper and to transfer just the major points of the carriage onto the sheet; and then drew the main lines of the carriage.

11
Pencils,

Watercolour Pencils – Wet ‘n’ Dry

STEP ONE
I took around 200 photos of this dog in a brief photoshoot with a commission client. Sometimes I take several hundred of my subject in the hope that half a dozen will stand out. In this case, there was one head pose that shone out for my client’s portrait, but I wanted to revisit this pose in particular, as it totally captured the spirit of a spaniel at work, and the black fur was captured perfectly in the natural light.

10
Ink,

Claybord and Ink – Who Needs Trees?

STEP ONE
I trace the completed drawing onto a piece of tracing paper and transfer it to the Clayboard. For this example, I put a piece of graphite paper (shown here) under the tracing paper and lightly traced over my lines with a ballpoint pen. I am careful not to press too hard because it will indent the clay.

5
Pencils,

Pencils – The Bonsai Tree

STEP 1
After selecting the paper size I am going to use for my drawing, I determine the size of the subject and where the horizon should be. I do a rough sketch at this time, taking care that the horizon is not in the centre or near it, because wherever the horizon is placed it will always be seen at eye level.