I prepared a canvas with six coats of Gesso, making sure each coat was dry before applying the next coat. I then sanded the final coat so it was smooth, leaving no ridges from the weave.
Master essential painting techniques in this exciting step-by-step painting guidance.Learn how to paint with oils and charcoals from master.Follow artist’s steps and tips.You will be able to know their materials which used in their art.
I prepared a canvas with six coats of Gesso, making sure each coat was dry before applying the next coat. I then sanded the final coat so it was smooth, leaving no ridges from the weave.
This painting is quite simple in concept and composition. However, consequently there is nowhere to hide! Simplicity can often add impact.
Working directly from life means I can start with minimal preparation. This also teaches us to work quickly and adapt to changing situations (particularly when plein air painting).
After drawing the guide lines onto the canvas, the sky, sea and underwater rocks are blocked in.
Using a view finder in the same ratio as the support chosen (2:3), I studied the scene to determine the parameters (limits) of the scene, and the compositional elements.
I use a projector to get the basic drawing on the paper. I know this is a frequently frowned upon method but it is important to get the shape accurate.
Generally, I begin a work by making a sketch on paper using a fine felttip pen. The sketch looks a bit like ‘colour by numbers’ and in fact acts as such for me during the stages of the painting.
Using a #6 Filbert brush and very wet “slurry” of light red, ultra blue and yellow ochre, I draw in the design on the board.
I tint the selected canvas with an acrylic mix of Maroon and Black. This dark base will allow me to give greater effect with the light.
I like to mount my own canvas. I cut a piece of board to a selected size and then cut prepared canvas about a centimetre larger than the board all around.