STEP ONE
The detail contained in the reference photo required the page to be squaredup with a 4cm grid. I was then able to accurately establish the basic composition of the sketch,


STEP ONE
The detail contained in the reference photo required the page to be squaredup with a 4cm grid. I was then able to accurately establish the basic composition of the sketch,

STEP ONE
Using your finished drawing (or photo), make a tracing of the outline. Tape the traced line drawing to the top of the scratchboard.

STEP ONE
I always work from A4 photos, so once I have chosen the photo I want, I usually print about four copies in black and white and one in colour.

STEP ONE
I make a very light, and I do mean very light, outline of where the main or central image is going to be placed on my board, pencilled in using White 101.

STEP ONE
On my 51cm x 61cm canvas I sketched up my design using an H grey lead pencil. Although we didn’t have a rooster I decided to put this fellow in to add extra interest to the whole picture.

STEP ONE
Firstly, choose a suitable image. Make a line drawing of it, use moderate pressure and transfer the line drawing onto the scratchboard using the white graphite paper and stylus or biro.

STEP ONE
I start by outlining the image I want to do. Velour isn’t very forgiving if you make a mistake, so you will need to be careful. Consider drawing your image first and then using something like carbon paper to transfer.

STEP ONE
Having roughly sketched up and placed all of my key elements I transferred my drawing to my sheet of 310g-illustration board.

STEP ONE
The scene depicted here does not exist. My inspiration came from a side view of a recently renovated Cape Cod cottage.

STEP ONE
Using a large steel ruler, draw a grid with the 21 graphite pencil on both photocopied reference and your working surface. Always number the squares so you don’t lose track of your position.